Giant (Two-Disc Special Edition) (Keepcase) | Elizabeth Taylor, Rock Hudson

Giant (Two-Disc Special Edition) (Keepcase) | Elizabeth Taylor, Rock Hudson | Giant

DVDs:

Giant (Two-Disc Sp...

	Giant (Two-Disc Special Edition) (Keepcase) Elizabeth Taylor, Rock Hudson Warner Home Video, 2005 average customer review:based on 111 reviews view larger image
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highly recommended

Giant is a movie of huge scale and grandeur in which three generations of land-rich Texans love, swagger, connive and clash in a saga of family strife, racial bigotry and conflict between cattle barons and newly rich oil tycoons. It's also one of the most beloved works of director George Stevens, who won an Academy AwardO* for this film, one of 10 Oscar nominations** the film earned.

Giant

It had been a long time since we had seen this film and had forgotten just how good it is. We enjoyed it to no end. What a great cast.

Thanks, NBK

Giant

I am into some old movies, and always loved rock hudson in this. it also has james dean, elizabeth taylor.

i finally went out and bought the dvd. am glad i did.

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Giant

"Giant" is a larger-than-life 1950s soap opera filled with all sorts of rivalries, oil derricks, class warfare, and cattle barons. Rock Hudson plays Jordan "Bick" Benedict who brings home an Easterner (Elizabeth Taylor) as his bride. Bick's sister, Luz, doesn't take none too kindly to new bride Leslie whereas ranch hand Jett Rink quite clearly does. Leslie herself is appalled that women are to be seen and not heard, and that no one seems the least perturbed that Mexican workers on the ranch live in squalid conditions.

This first half of "Giant" is very entertaining in the way that soap operas can be. The ranch, Reata, is expansive; the mansion they live in is a colossus. The performances are quite good, especially Mercedes McCambridge's tough, almost mannish sister, Luz. Everyone seems to both admire and fear that old Texas gal. James Dean can be downright endearing as down-on-his-luck Jett, especially when we see that he is trying to educate himself with school primers; other times, eyes sometimes darting, sometimes cast down, he spouts off wisecracks. Of course, any soap worthy of its name is going to touch here and there on social issues. Leslie gives a verbal whipping to the menfolk when they insist politics is a topic not suitable to female ears. She is also chastised when she attempts to secure medical aid for a Mexican mother and her sick child.

It is in the second half that the movie seems choppy. This is in part due to the rush of the years. The kids are grown; they go to war; they come back. Way too many years are crammed into these last 90 or so minutes much to the film's detriment. Young Jordy is a kid in one scene; you blink your eyes and he is Dennis Hopper wanting to go to medical school. Another blink and he is marrying his beloved Juana and treating the indigent. This speed allows little in the way of solid character development. The characters we do have from the first half of the movie are inhabited by actors who suddenly seem at a loss. Rock Hudson, and, to a lesser extent, Elizabeth Taylor, in no way naturally inhabit the advanced years of their characters. We never believe them to be middle-aged. (And their atrociously grayed hair! Is that the best aging effect Warner could do or afford? Even "Citizen Kane" did better years earlier.) I guess it's sacrilege for me to say, but even the iconic Dean is not much better in an almost hammy performance as the older and very drunk oil baron Rink; he's lost the ease and naturalness of the character's younger incarnation.

This second half does have some bright spots such as performances by Dennis Hopper and, more briefly, Earl Holliman. There is an extremely moving tribute to a fallen soldier. And then there is a stellar scene in a roadside diner in which cattle baron Bick finally takes a stand against prejudice and very nearly gets his teeth kicked in.

To me the film would have benefited had Stevens and the studio opted for a chunk of Ferber's book and not tried to cram in so many years. For me, it would have been more entertaining and more cohesive. The actors would continuously be playing characters closer to their ages and more in line with their abilities. Some of the best acting in the film are Holliman and Hopper playing characters of their generation, with young Dean and Taylor so true in the first half playing twentysomethings.

Though not without its flaws, the bottom line for me is that there are many parts that make this film worthwhile viewing, and this despite the surprisingly poor DVD transfer.

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