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Sir Gawain and the Green Knight (Broadview Literary Texts) | The Dark Middle Ages and all that.
 
 


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 Sir Gawain and the...  

Sir Gawain and the Green Knight (Broadview Literary Texts)

Broadview Press, 1995 - 192 pages

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Original text along with facing-page translation.

The fourteenth-century poem Sir Gawain and the Green Knight is one of the greatest classics of English literature, but one of the least accessible to most twentieth-century readers. This new edition of the poem offers the original text together with a facing-page translation; editor James Winny provides a non-alliterative and sensitively literal rendering in modern English, as well as explanatory and textual notes, a further note on some words that present particular difficulties, and two contemporary stories, The Feast of Bricriu and the Knight of the Sword, which provide insight on the poem.

"This is the best translation of Sir Gawain. It... makes the remote world of Arthurian romance immediate to the reader." --Gordon Teskey, Cornell University


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Content Not Sacrificed for Form

This is my favorite edition of _Sir Gawain and the Green Knight_ not only because it is a fine poem, but also because the facing-page layout allows Winny to translate very accurately. The introduction to the poem and to Winny's translation of it is excellent, and discusses why he chooses not to translate within the confines of the formal characteristics of the poem in the original. Also, there are textual notes, a section discussing certain words in the poet's vocabulary that present significant difficulties for translators, and two appendices containing Arthurian analogues: Fled Briend/Bricriu's Feast and from Le Chevalier a L'Epee/The Knight of the Sword.


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The Dark Middle Ages and all that.


The author of this little masterpiece is unknown. This story - or 'romance' if you like - was found in a little manuscript that was written in c.1380. There are three other stories in that manuscript presumably by the same author.

King Arthur, his wife Guinevere, and the Knights of The Round Table are celebrating Christmas and New Year at the famous castle 'Camelot'. One evening a huge knight on horseback bursts into the Hall during dinner, brandishing a large and fearsome battle-axe. Everything about him is green, not only his armor - as one might expect - but also his face, his hair, and even his horse. He has come in peace as he is advertising more than once. In short he says: who is bold enough to step forward and try to chop my head off with this battle-axe? But after one year and a day it will be my turn to deal a blow. Gawain, one of the Knights of The Round Table, steps forward, takes the axe and beheads the Green Knight. As if nothing happened the Green Knight picks up his head, takes it under his arm and the head says: a year and one day from now it will be my turn to give you a blow. You have to promise that you will come looking for me. You can find me at the Green Chapel ( It's almost a joke but who knows? Maybe this is all just a joke ). If you survive my blow I will give you a great reward. The Knight doesn't want to say where the Green Chapel can be found. It's far away from here but you will find people who can show you the way. And remember, you promised. And so the adventure begins for Gawain. He has to go without a companion. He stands on his own for that was a part of the deal.

This Fantasy element is the only one in the story. Everything else is realistic. That could be an indication that some scholars are right when they say that the Green Knight is a symbol for the reviving of Nature after the winter. There is a parallel between this symbolism and Gawain who's becoming more mature as the story unfolds. Throughout the story he's tempted in many ways to betray his vow of chastity and loyalty to the Virgin Mary, and near the end of the story he's tempted into cowardice. After all is said and done Gawain has a more realistic view on knighthood. He becomes adult and reaches a new stage in his life just like the revival of Nature by the Green Knight.

One of the things I like in this medieval romance are the hunting scenes described very vividly and in great detail. It starts with a description of the animal they want to hunt down: its strong and weak points. During the chase it is as if you can hear the horns blow and the shouts of the hunters, the barking of the hounds and the grunting of the wounded animal and it ends with the cutting of the meat after the bowels are given to the hounds as a reward.

You should read this because it is one of the most engrossing tales from the Middle Ages.





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