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 Hearts In Atlantis  

Hearts In Atlantis
Stephen King

Pocket, 2000 - 688 pages

average customer review:based on 573 reviews
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     highly recommended  highly recommended



Stephen King, whose first novel, Carrie, was published in 1974, the year before the last U.S. troops withdrew from Vietnam, is the first hugely popular writer of the TV generation. Images from that war -- and the protests against it -- had flooded America's living rooms for a decade. Hearts in Atlantis, King's newest fiction, is composed of five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War.

In Part One, "Low Men in Yellow Coats," eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror.

In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest...and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast.

In "Blind Willie" and "Why We're in Vietnam," two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow -- and haunted -- as their own lives.

And in "Heavenly Shades of Night Are Falling," this remarkable audiobook's denouement, Bobby returns to his hometown where one final secret, the hope of redemption, and his heart's desire may await him.

Full of danger, full of suspense, most of all full of heart, Stephen King's new audiobook will take some listeners to a place they have never been...and others to a place they have never been able to completely leave.


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Odd yet mesmerising reading

This reading, which is also the Audible reading, may take some getting used to. Stephen King does relatively little acting here, while William Hurt apparently does none at all, yet by the end of the book I thought it was one of the finest dramatic readings I had ever heard.

Unlike what you may hear from Frank Mueller or Jim Dale, both readers seem to believe the text itself is sufficient to invoke the reader's emotion. King does this through a reading that sounds like his natural speaking voice. Yet, perhaps because this book has a special significance to him, his plain, unadorned reading, by careful use of pause and emphasis, sets a mood and draws out nuance and significance that I had missed by reading.

William Hurt uses very little in the way of accents or attempts to act different voices. His reading at first seemed interrupted by ill-timed pauses. Yet as the reading continued, I realized that he was using silence, pace, and emphasis to wring out tremendous emotion. The simple moments of childhood were fresh, the scenes of confrontation edgy in a way I have rarely felt in a reading, and in the confrontation between Bobby's mother and Ted, you can hear every twist and distortion in her soul.

I hope William Hurt reads more books and intent to listen to them.


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Not Free SF Reader

A collection of sorts, based around the sixties experience and Vietnam, from early teenagerhood to many years later, following some people intersecting paths over the years. Maybe a touch autobiographical from what the author says in the intro.

The supernatural bad guys in the first long novella I think are likely from The Dark Tower series, which I have not read a lot of beyond some novellas that make up the first book.

Hearts In Atlantis : Low Men in Yellow Coats - Stephen King
Hearts In Atlantis : Hearts in Atlantis [short story] - Stephen King
Hearts In Atlantis : Blind Willie - Stephen King
Hearts In Atlantis : Why We're in Vietnam - Stephen King
Hearts In Atlantis : Heavenly Shades of Night are Falling - Stephen King

You can take me, but don't Breaker the boy.

3.5 out of 5


Hunt the Bitch in a little more moderation.

3.5 out of 5


Post Vietnam dodgy begging.

3 out of 5


Old mamasan ghost.

3.5 out of 5


Fits like an old glove.

3 out of 5




3.5 out of 5


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LOW MEN PART OF DARK TOWER SAGA

Low Men in Yellow Coats, the first long (300+ pages) story from Hearts in Atlantis, is a story I've wanted to read ever since hearing about it in The Dark Tower Concordance. If you are a King fan, you already know about his epic series of seven novels, which starts with The Gunslinger, and continues with The Drawing of the Three, The Waste Lands, Wizard and Glass, The Wolves of the Calla, The Song of Susannah, culminating in The Dark Tower.
Since finishing the series and the Concordance, I've enjoyed another related story, "The Little Sisters of Eluria," plus the Marvel comic books (The Gunslinger Born, a series of seven comics which concluded last year, and now The Long Road Home, a series of five more that launched recently.) Plus, while looking through my own library, I just discovered a Special Stephen King issue of F&SF magazine from 1991 which has a long excerpt from The Drawing of the Three called "The Bear" which I practically inhaled last weekend. It's great to be able to continue to live off-and-on in this strange world King created. Ultimately, The Dark Tower series is a karmic journey, which loops back to its beginning like a Möbius Strip.
Low Men is a coming of age story about a boy named Bobby who lives with his bitter and damaged mom in a boarding house, and Bobby's relationship with Ted Brautigan, one of the "breakers" from the Dark Tower series. The Low Men are Can-toi, demon soldiery of the Crimson King, sent to our world to bring Ted back to the world of the Dark Tower, and they amply fulfill their obligation to scare the living piss out of Bobby, (and readers like me!)



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Declines after the first novel

This book is actually two novels and some shorts stories with
a common thread. The first novel is an east coast Garrison Keillor with a PSI
grandpa added. The second is a college dorm story from the '60's about
a scholarship student. These two are pretty good, but the short stories except for the end one are dreadful.
I think he could have made a great novel of the first one by sticking to actual autobiographical material.
As it stands it leaves me, as most of Stephen King's work does,
feeling unclean for having read it. Last time I
read one of these I said to myself I wouldn't read anymore
of his trash...


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reviews: page 1, 2, 3, 4, 5, 6, 7, 8, 9, 10



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