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 Immortality (Peren...  

Immortality (Perennial Classics)
Milan Kundera

Harper Perennial Modern Classics, 1999 - 352 pages

average customer review:based on 66 reviews
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     highly recommended  highly recommended




Original and thoughtful

These days, it's hard to come across a book which is really innovative, since all sorts of experiments have been conducted in literature. This is one original work. It is a beautiful novel that the reader writes along with the author. It's kind of "interactive", just like some by Machado de Assis and Calvino, extremely different authors. Starting from the gesture of a mature woman, Kundera invents fictional characters who interact with other characters, supposedly real, as well as with the author himself. These characters are the excuse Kundera uses to conduct an acute reflection on our age and, in particular, on our cult of technology and image. Besides Agnes (the spirit) and Laura (the body), other memorable characters are Rubens, Agnes's ocasional lover who is sad and melancholic, and Prof. Avenarius, for whom the world is only an object for diversion. This novel transforms all aspects of the modern world into metaphysical issues, and its form is polyphonic: the story is alternated with that of Goethe and Bettina Brentano, which serves to explain and reinforce some reflections by Kundera. There's also a digression about the emergence of "homo sentimentalis" in Europe, as well as a witty dialogue between the spirits of Goethe and Hemingway (interesting, isn't it?). The novel is extremely inspiring, it's beautiful in spite of some paternal and lecturizing passages.


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Everyone Desires Immortality

Immortality is a life changing book. It's true that some people find the book pretentious and meandering... but, in a way, that's representative of life, isn't it? Kundera writes this book in order to illustrate how we all desire immortality in one form or another and we each spend our entire lives suffering to get it.

When I first read this book, I was struck by the humaness of Agnes and how her thoughts and feelings mirrored my own. It helped me bring my own struggle for immortality into focus and re-evaluate my goals in life. Immortality forces the reader to question him/herself. What am I suffering for? What do I desire? And, in the end, will it all have been worth it?


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Immortality

The novel explores the nature of immortality, and moves at a leisurely pace to allow the reader to understand the novel. The issues and ideas are explored along the way, as well as human love and sexuality. This develops the characters and enables the reader to come to an understanding of them. A great part in the novel deals with one of the characters imagining that a total stranger is visiting her. She is asked if she wants her husband to accompany her in another world, once she passes on. This passage was so well written that in stayed in my mind even after I had read it. The sense of someone actually having this happen to them was strong. The main character, Agnes was a marvelous character that was very well structured by Kundera. Kundera travels deep into the souls of his characters and explains the inner most thoughts of the characters. The author shows some of the complications in his novel that some of us experience in real life. The main character, Agnes is faced with a question and her options are to lie to her husband Paul, or to tell him the truth. The outcome shows her true character and may surprise some of you. This book is highly recommended for anyone who enjoys good, emotional novels.


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Amusing musings

As much a conversation with the reader as a novel, Kundera obeys his own maxim "A novel should not be like a bicycle race but a feast of many courses": the plot meanders at a leisurely pace and explores ideas about the nature of immortality, human love and sexuality along the way, drawing in characters historical figures such as Goethe and Bettina, Hemingway and Dali. At the same time, the distinction between story and storyteller becomes blurred, the picture frame becoming part of the picture, as the writer enters his own story, meeting up with his characters in the final scene.

One of Kundera's greatest skills is to show the internal landscape of his characters, the very colours of their souls, and in so economical a fashion. A puppet master showing the strings, Kundera creates his main character from a gesture, with casual sleight of hand, and the main events for his story from half heard extracts of radio programmes.

There's plenty to chew over, even after finishing the book. My mind keeps coming back to the scene where Agnes imagines a stranger visiting her and asking her (in her husband's company) whether she wants to be together with him in her next incarnation in another world. The acid test for any love. She is faced with the dilemma of telling the truth and hurting Paul, or lying to save his feelings.Hmmm ... I wonder what what would my own answer be to the same question?

There are also some wonderfully quotable lines in the book and I kept finding myself reaching for a piece of paper to write down some of the best. I loved:- "Our heads are full of dreams, but our behinds drag us down like an anchor". How true!

Kundera is very good company and I enjoyed the book, but feel that "The Unbearable Lightness of Being" is by far the stronger novel.


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reviews: 1, 2, 3, 4, 5, 6, page 7, 8, 9, 10, 11, 12, 13, 14



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