What struck me about this film is that it was made on such a limited budget by people who lived in the tunnel. There were no prima-donna actors, directors and producers. As a result, the film is an honest portrayal of life under the tunnels.
There is excellent information on how the film was made at [web page], and you can also catch some samples of the haunting music from the film.
The film inspired me to learn more about the people living in the tunnels under New York. Two books I would recommend on the subject are "The Mole People" by Jennifer Toth, and "The Tunnel" by Margaret Morton.
None of these questions are answered by the DVD's intriguing short film on how "Dark Days" was made.
What we do get is a quick picture of a man obsessed by a group of homeless living in an abandoned train tunnel underneath New York. The other reviewers have pointed out how unsentimental, yet full the depiction of these people is. I agree. I'd go further. It's like an angel was dropped out of the sky to make this movie, and then vanished.
Okay, so that's hyperbole.
But that's the kind of whacky thought that occurs to you when you watch the hand-twisting, blushing director describe the movie he made - perhaps the best frickin' movie ever made about homeless people...EVER - the fact that making the flick drove him temporarily into homelessness, the fact that this guy out of NOWHERE wins all the dang Sundance awards a few years back not only for the message, but for the astoundingly beautiful cinematography, yet the kid never made films before... yadda yadda yadda.
This is a landmark film. More hyperbole, perhaps. But the plight of the homeless is one of the biggest problems facing the industrial West. And yet...and yet...zero discussion. Zero concern. Instead, we get a lot of lip about how the homeless are lazy and shiftless and live off the government, etc. "Dark Days" shows that the homeless are people. Humans. Complete and beautiful, flawed and ugly. The whole deal. How can you walk away from this movie and see a panhandler without a feeling of, not pity or compassion, but empathy?
Even if you're not the least interested in these topics, Dark Days is worth a watch both for the visuals and as a wonderfully executed film.
