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 Soul Music  

Soul Music
Terry Pratchett

HarperTorch, 1995 - 384 pages

average customer review:based on 74 reviews
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     highly recommended  highly recommended




touching, thoughtful, and falling-over funny!

Soul Music is a story about love, death, family, the inevitability of fate, and the power of music. In true Pratchett fashion, it's also a story about the hilarity that ensues when (insert improbable events here).
This is the story of Imp Y Celyn, an ambitious teenage bard who acquires a magic guitar. With the help of his bandmates and his new instrument, Imp brings a new craze to the Discworld -- Music With Rocks In! Little does Imp know that he's fated to die on the night of his band's first performance ... or that there's something in that guitar of his that won't let him.
This is the story of Death, who's had a *very* bad day at work. There was a tragic carriage accident, you see, and he had to go and claim the lives of two of the only mortals he ever allowed himself to care about... So, in an effort to forget, Death runs away to imbibe vast amounts of alcohol and join the Klatchian Foreign Legion.
This is the story of Susan Sto Helit, a teenage girl who's recently lost both of her parents in a tragic accident. Left at a stuffy boarding school, Susan has no idea that she is the granddaughter of Death himself, and that she's about to get stuck running the family business.
This book is everything Pratchett fans have come to expect and more. It's a hilarious pastiche of the history of rock and roll, a style of music that has no place in a medieval fantasy world. It's a welcome addition to the subset of Discworld books that star Death, who is terribly good at his job, but wishes people weren't always so unhappy to see him. It's a prime example of the inspired blend of satire, high fantasy, and just plain silliness that makes Terry Pratchett one of the most popular fantasists in the world.
This is probably my favourite Discworld novel so far, and that's saying something. It's not absolutely necessary, but I suggest you read Mort before picking up this one.


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One of Pratchett's finest.

I have read with great enjoyment all of the Discword books I could get my hands on, but of them all, Soul Music is my favorite. It contains all the usual Pratchett trademarks, such as clever allusions, bizzare footnotes, and an underlying message which is as serious as the actual writing is silly. Needless to say, it's one of the funniest things I've ever read. It makes room for all my favorite Discworld characters (i.e. Death and his granddaughter Susan, the Librarian of Unseen University, and the various odd residents of Ankh-Morpork). Anyone who has read any other of the Discworld books with enjoyment needs this one as well, and anyone who hasn't needs this one to start with.


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Not badm but Soul Music doesn't quite touch the soul

OK, I wanted to like this book, but it didn't quite work out. After "Men at Arms" this cannot compare. OK, that isn't fair, because this is not a City Watch book. It is like apples and oranges. Also, I am not a fan of rock music culture, so it may be a bit my fault, too.

Some of the book is funny. The troll-dwarf relationship is always good. Glod was very funny as was Cliff. Dibbler was his usual sales-obsessed self. But that was about it, except for the wizards trying to wear leather. The Dean was a riot. And the Librarian with piano exploding (and the way it was explained to the Patrician) was great! This is a book worth reading just to see the Librarian and his antics. 3.5 stars for him.

But Death was funny in the foreign legion, although it got a bit old with him running away, and Albert is not so wonderful (though he does better in later books). I admit I didn't fully understand Death's solution to the problem with the "music," so that didn't help. But the Death of Rats was funny, of course. Death, his granddaughter, Albert are not too hot here, but they improve a lot in future books, but read this book mainly for the Librarian and wizards. They rarely fail to entertain.


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A story that misses a soul.

When Imp enters Ankh-Morpork he has no clue that he is on the verge of changing the way people listen to music. In search of good fortune he left his hometown in Llamedos and hopes to earn some money playing harp in the biggest city - or at least the most crowded - of the Discworld. Regrettably no one ever told him that the Guild of Musicians has a rather 'terminal' policy concerning people who play music without a licence, the rather expensive kind that is. But he is not the only one who cannot pay the fee. Together with a dwarf, a troll and an - ook ook - ape, Imp starts an illegal band and together they play 'Music with Rocks In'. The band is an immediate success, certainly now C.M.O.T. Dibbler is their manager. When people start to ask Imp if he is a bit elvish, it must be clear that something dangerous is at hand.

In Soul Music Death gets again a major part, although this time the role is played by Death's granddaughter Susan. But do not expect the witty humour that was dominating Terry's classic novel Mort. The main chunk of funny paragraphs is filled with clever puns to the names of famous music bands. Two examples: Lead Balloon (Led Zeppelin) and &U (U2). At the start of the novel this is quite entertaining, but when you have to digest pun number 50 it has lost its originality. At the end of the story the puns are the only thing that drives the story. A story that on its own is very weak and tends to bore the reader.

Soul Music clearly fails in matching the high standards set by the other Discworld novels.


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Not up to snuff I'm afraid...

I'm working my way through the Discworld books for the first time. Although I've greatly enjoyed the previous five, Soul Music really falls short of the mark.

The story begins with a lot of potential. The ideas are fresh and the characters are likeable and "solid". The reader quickly realizes that the unrelated initial plotlines are on a collision course and having read Pratchett's other work, the reader has high expectations as to how the story will cleverly unfold.

Unfortunately, about a third of the way through, the story falls flat. The puns about rock music grow tired almost immediately, yet the reader is continually beat over the head with them. All of the characters become hollow shells and each page feels like more of the same. I found myself longing for the end of the book with a hundred pages still to read.

I feel that this was no where near Pratchett's best work. Only the beginning of the story has the familiar Discworld feel to it. The rest of it feels as if it was written at the last minute under a deadline crunch.


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reviews: 1, 2, 3, page 4, 5, 6, 7, 8, 9, 10, 11, 12, 13



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