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 Immortality (Peren...  

Immortality (Perennial Classics)
Milan Kundera

Harper Perennial Modern Classics, 1999 - 352 pages

average customer review:based on 67 reviews
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     highly recommended  highly recommended




Re-read it!

First of all - don't read this if you haven't read either "The Book of Laughter and Forgetting" or "The Unbearable Lightness of Being." "Immortality" is more difficult than both of them and should therefore be read later; but not only that, the allusions to some of Kundera's earlier ideas (the border, the unbearable lightness of being) will missed if you read this first.

Second - how much you put into will be how much you get. Don't read this as a novel; read it as a treasure buried under 350 pages of prose - you'll find many nuggets, but it will take work to grasp them and they won't combine to form a fully-formed unified slab of gold.

Third - it's not really about immortality. It's about life, existence, and so on - the essential human themes.

Fourth - it suffers from Kundera's fatal flaw, his refusal to use the literary technique of a book's climax to make the sharpest point. The effect on the reader (and the point of literature, in my opinion, is to make the largest possible effect on the reader) would be much greater if the ending of part five ended the actual novel. I have nothing against Kundera briefly giving away the end in the middle of the novel, which he does in "Being" as well. It's a technique that he uses very well. But how much more so if the characters' ending came at the *book's* ending!

Finally - I'm not sure which rating to give to "Immortality." I first put 4 stars, as it has serious flaws (namely, it doesn't truly form exactly one work and the experimentalism does not always work - put at the climax where it belongs!). But I'd be kidding myself if 20% percent of the books I read are better than "Immortality," I think. I'll end up giving it five, but with caution. The more I reread it, which I have done recently, the more I like it. Five it is, barely. However, I think I hold Kundera to a higher standard - he has such talent; he could use it better.


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just plain good.

im sixteen yrs old, and though i know many adults who read this book and disliked it greatly, I found it very interesting. Most people would consider me a person who isn't fond of reading many books, but this one I particularly liked. It touches many ideas that gets you thinking. It most definetley gives you different perspectives at things. Probably my favorite book!


Classic Metafiction

The chief pleasure of reading Kundera comes from the music of his writing (in this case, translated by Peter Kussi). His sentences are like melodies and, like Nabokov, it is easy to simply get carried along by their flow. He does not write "novels" in the classic sense - he writes "pieces" which have just as much to do with philosophy as creative writing. The journey is all about little insights, philosophical ideas, and musings on history.

I must warn the newcomer, however - this is NOT a straightforward novel. This is a classic example of "metafiction" - that is, writing about writing. The book begins with Kundera seeing a woman's wave which inspires him to write a story. Immortality is that story, PLUS Kundera's writing that story, PLUS random digressions about Goethe and Rubens. I have to impress upon the reader that THERE IS NO PLOT in this book. That is Kundera's point, and yet the absence of a plot does not encourage the reader to keep going back to it (as it is not headed anywhere).

If you are looking for a book that is out of the ordinary, with very poetic philosophical digressions, than this is the novel for you.


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insightful, revealing and entertaining

Like other Milan Kundera novels, Immortality is no straightforward reading... Filled with insights and thought-provoking ideas, kundera yet again uses the vehicle of the novel to reveal the musings of a sad, erudite philosopher...
I never knew i could learn that much about myself from reading a novel... GQ's Nicholas Lezard says that "it will make you cleverer, maybe even a better lover", very true... Sometimes however, it can be overly scholarly, and assumes the reader is classics-savvy... Still, immortality taught me that i'm an "homosentimentalis" with a "hypertrophied" soul... to my surprise, these two hardly understandable words taught me a lot about myself and about why i have such a troubled and restless soul..not all novels do that to me


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I'd give it 4.5 if I could

Okay, So I'm about halfway through this book and though it is very, very good, I don't think it is as good as Unbearable Lightness, so I can't give it five stars.

The writing style is, of course, uniquely Kundera. It is high brow, yet matter of fact, and full of sardonic wit. This seems to be a philosophical dissertation, in which he identifies beliefs and philosophies while relating his story.

The story itself deals with Agnes, an elderly woman that is in fact a product of Kundera's (who is also a character) mind. She is born of a gesture that Kundera observed at a health club. She is actually the embodiment of immortality in this respect. In an imagined conversation between Goethe and Hemingway, Kundera hammers out immortality in the physical sense, or the legacy that we leave behind when we pass on. In creating Agnes as a character, she is an immortal legacy of a gesture. Since there are so many faces and so few gestures, one that can make a gesture that is commonplace seem original is desrving of immortality. At least this is the impression that I have at this point in the novel.

I'd suggest this for people already familiar with Kundera. I don't really think that its a good novel if you're just getting familiar with him. Otherwise, I've enjoyed it immensely.


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reviews: 1, 2, 3, page 4, 5, 6, 7, 8, 9, 10, 11, 12, 13



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