Tender Is the Night | F. Scott Fitzgerald | The Madness Behind the Mask

Tender Is the Night | F. Scott Fitzgerald | Fitzgerald would give anything for a happy ending?

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Tender Is the Night

	Tender Is the Night F. Scott Fitzgerald Scribner, 1995 - 320 pages average customer review:based on 138 reviews view larger image
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highly recommended

The Madness Behind the Mask

High flying, fast living F. Scott Fitzgerald (1896-1940) attained great commercial and critical fame early in life--and then began a rapid fall into a ferocious alcoholism. In 1925 THE GREAT GATSBY, now regarded as his masterpiece and often described as "the great American novel," was published to only mildly enthusiastic reviews and sold poorly; in order to fund the lifestyle to which he had grown accustomed, Fitzgerald set aside his next book length project and turned to short stories and the occasional bout of "writing for Hollywood."

Although Fitzgerald began to formulate ideas for TENDER IS THE NIGHT as early as 1925, the project was slow to take form and was not published until 1934--by which time it had become a reflection of Fitzgerald's stormy marriage to the equally high flying, fast living Zelda Sayre, who gradually sank into insanity and was permanently institutionalized by the early 1930s. Originally published in serial form in Scribner's Magazine, it received mixed reviews, and when it was published as a novel it did not prove the great commercial success Fitzgerald hoped. It was the last novel he completed before his 1940 death.

The story is set in Europe, where the Fitzgeralds themselves lived through much of the 1920s, and begins with Rosemary, a very young woman who has recently jolted to fame and fortune as an actress in silent film. Beautiful but in many respects innocent, Rosemary vacations on the Riviera--where she makes the acquaintance of Dick and Nicole Diver, an incredibly wealthy, exceptionally attractive couple who seem to be the height of all the modern era has to offer. Rosemary quickly subcums to Dick Diver's immeasurable charm and falls in love with him, but Nick is determinedly bound to Nicole, as much from responsibility as love. Nicole's apparent flawlessness is a facade. Dick is a psychiatrist; his wife, Nicole, is also his patient. She is insane.

Fitzgerald was often accused of writing about rich and pretty but trivial people. In one sense this is true, but in Fitzgerald's work the shiny surface is precisely that, a false front that the characters present to the world in order to maintain both their social standing and self-image. As the novel moves back and forward in time, we see how Dick has been "bought" by Nicole's family and how he is repeatedly torn between love for Nicole as a husband and care for her as a patient so that--even as Nicole begins a final recovery--he begins his own destruction, sucked dry by the endless personal and professional compromises required of him. Increasingly dark in tone, TENDER IS THE NIGHT is not so much disillusioning as it is ultimately, painfully nhilistic.

Fitzgerald seemed to regard TENDER IS THE NIGHT as both his most personal and his favorite work, and there are few who would not regard it as a masterpiece. Even so, it is very much a flawed masterpiece, occasionally problematic to a point at which it snaps the reader out of the very reality it attempts to create, most often due to Fitzgerald's own authorial self-indulgence. That said, the characters and their situations are not always as convincing as one could wish and the structure of the novel is occasionally muddy. And yet--

Even with these glaring issues running throughout the novel, TENDER IS THE NIGHT is the sort of book that you think you will not finish and then suddenly find yourself on the last page. Whereas THE GREAT GATSBY tended to focus on the mask, TENDER IS THE NIGHT focuses on the face beneath it, and the result is uniquely powerful. You care about the Divers and even though you sense their ultimate fate you, like they themselves, fight against it. It has moments of brilliance as powerful and often more so than any other novel of the first half of the 20th Century. Strongly recommended.

GFT, Amazon Reviewer

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Fitzgerald would give anything for a happy ending?

Why does Nicole and Dick's marriage disintigrate? The obvious answer is that Dick compromised his integrity marrying Nicole for her money and that Dick is an egomaniac, needing to be needed.

The deeper more true answer is that Nicole and Dick didn't have a partnership. She was sick and couldn't give very much back to Dick--to the relationship. And it gets tiring or boring always doing the same things for the same person to save them from themselves over and over again. Co-dependent relationships don't work.

Although a lot of the discussions about mental illness are extremely dated, some of the descriptions are painfully accurate. I identified with Nicole's sister who could only stop worrying about Nicole if: 1) Nicole married a Doctor to take care of her, and 2) if Niole lived near a sanitarium.

This is what it is like to have a loved one who is mentally ill:
"It was necessary to treat her [Nicole] with active, affirmative insistence, keeping the road to reality always open, making the road to escape harder going. But the brillance, the versatility of madness is akin to the resourcefulness of water seeping through and over and around a dike. It requires the united front of many people to work against it".

Too bad there are no organized ways of providing an organized front in our culture to help the mentally ill.

Perhaps Fitzgerald (FSF) would have swapped his well being for Zelda's--a prayer, "Lord, take my sanity but give Zelda back hers. Unlike Nicole, Zelda didn't get better.

I loved the description of the Rivera and Switzerland in the 1920s. I wish i could have been a part of it. The first part of the book is like watching the movie "To Catch a Thief" with Cary Grant and Grace Kelly. You just love the ambience.

I liked this book better than _The Great Gatsby_ because I cared more about the characters and because it is autobiographical, and because I have had a loved one who is mentally ill.

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Portentous Tale Cries Out -- Personally? [28][62]

Written in the 1930's after Fitzgerald's wife had suffered a nervous breakdown and was institutionalized in Zurich, this book about a young aspiring psychiatrist and a young beautiful patient whose relationship commences in a Zurich sanitarium -- a story which eerily rings of Fitgerald's portentous relationship with his wife, Zelda.

The up-and-down relationship of the Divers resembles the Swiss mountain's furnicular - the cable car which has the ascending car counterbalance the descending car. As Dick Diver's character descends from a glorious future to an alcoholic future, his wife's (Nicole) character ascends from insanity to normalcy. By 40, Dick Diver is a ruined man. At 44, Fitzgerald died after having never returned to the heights of "Gatsby" and "Tender" -- which were amazingly finished in his 20's and 30's.

How autobiographical this depressing tale is may never be fully known. But, it definitely recites many of the realties which he and his European expatriate hob nobbers assuredly lived. The most troublesome events being Dick Diver's descent to alcoholism, something which personally plagued Fitzgerald and which equally plagues the easily loved Diver. Only when he drinks does his tongue spew venomously, and unfortunately too often to those closest and fondest of him.

What I love most about Fitzgerald is that pretension belies the characters, not his writing. He hides no hard-to-read symbols within his text. He is a master story teller, who infuses rich dialogue with the magnificent story to make his writing great -- 70 years later.

This is a classic novel written by a classic novelist.

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Flawed Epic

I don't see how anyone could give Fitzgerald's monumental imaginative world anything less than a "5" for its sheer density AS a world. Throughout the book, I also felt deeply moved by the plight of Dr. Dick Diver, who certainly fits all definitions I've ever seen of a tragic hero...and to some degree, of Nicole, who is not portrayed as a person with quite the painful awareness Dick has of the complexity of life.
While in awe of the scope and concrete detail of the book, the power of its arc of downfall of a basically noble character (most of the time), and its accurate perceptions of the complexities of intimate human relationsips, I felt at times that this was something of a "novel of manners", revealing one transitory emotional state after another in its characters, with no clue of any solid bedrock underneath.
I also felt that though the novel focused on Dick's sad end, or, more accurately, disappearance "off the map" of Nicole's consciousness, I can scarcely imagine the hell that will await her as wife of Tommy Barbot, the professional mercenary, and a cold-blooded character in whom I could not see a single redeeming quality, or even qualities that might have earned his early membership in Dick's "inner circle" of friends.
I find Fitzgerald both a gifted with genius and, at times, exasperatingly superficial.

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